Skip to content
Court & Capital
Royal Style & Fashion

Kate's Autumn Tweed at Balmoral: The Royal Countryside Uniform

A tweed blazer, a pie-crust blouse and a beloved pillbox hat at Crathie Kirk: the story behind royal tweed style and the heritage countryside wardrobe it belongs to.

Court & Capital Editorial 8 min read
A woman in a smart tweed jacket against a green countryside backdrop.
A woman in a smart tweed jacket against a green countryside backdrop.

Royal tweed style had a very good outing on Sunday 23 August 2026, when the Princess of Wales was photographed arriving at Crathie Kirk, the small granite church beside Balmoral Castle where the royal family worships each summer. Royal-watcher accounts, among them Instagram’s @dresslikeaduchess and @kate_middletonwardrobe, identified a herringbone tweed jacket worn over a high-necked, pie-crust-collar blouse, widely attributed to the British label Holland Cooper, finished with her long-loved “Betty Boop” pillbox hat by Lock & Co and a new pair of Ralph Lauren earrings. Kensington Palace does not confirm outfit details, so the label attributions are reported rather than official. But the look itself, whoever supplied it, was sober, seasonal and entirely at home on a Highland hillside.

It was also, in miniature, a masterclass in something much older than one Sunday service. For nearly two centuries, the royal family has marked the turn to autumn at Balmoral by reaching for tweed, and the tradition runs a good deal deeper than any single blazer. Here is the church-door moment, and the countryside wardrobe it belongs to.

A Sunday at Crathie Kirk

Crathie Kirk has been the royal family’s parish church since 1848, when Queen Victoria first worshipped there during her early visits to Balmoral, beginning a custom every monarch since has kept up. The present granite building, designed by the Elgin architect A. Marshall Mackenzie, was completed in 1895 after Victoria herself laid its foundation stone two years earlier, with two of her daughters helping to raise funds through a Balmoral bazaar. It is a small, working parish church rather than a royal chapel, and the family worships alongside the local congregation whenever they are in residence.

That informality shapes the dress code as much as any stylist would. A Sunday at Crathie calls for something smart enough for a pew, sturdy enough for a Highland car park, and warm enough for an Aberdeenshire August that rarely troubles a sunhat. Tweed, reportedly by Holland Cooper on this occasion, answers all three briefs at once, which is precisely why generations of royal women have reached for it on the same short walk to the same small door.

The rise of Holland Cooper

Holland Cooper is a newer name in this story, and its own history is a very British piece of self-invention. The label was founded in 2008 by Jade Holland Cooper, a farmer’s daughter who spotted a gap for well-cut countryside clothing and, at 21, designed a capsule of tailored tweed miniskirts finished with leather and suede detailing. She sold the entire run from a stand at the Badminton Horse Trials, a debut about as rooted in British country life as a fashion launch can be.

Nearly two decades on, Holland Cooper’s tweed tailoring is still hand-cut and made in Britain, using Cheviot and Shetland wools woven in Scottish mills, and the brand has become a fixture of country-set dressing rooms well beyond the equestrian circuit that first bought it. A tweed blazer with royal associations, reported or otherwise, is the kind of moment that brand built its whole identity toward.

Balmoral’s secret tweed

The royals’ relationship with tweed goes further than any one wardrobe: it runs to the very cloth the estate is dressed in. Balmoral has long had its own bespoke “estate tweed,” a tradition Queen Elizabeth II formalised in 1955 with a royal warrant to the Yorkshire clothmaker John G. Hardy, whose successor Hardy Minnis still weaves it today. There are, in fact, two versions: a plainer Balmoral tweed worn by gamekeepers, gillies and estate staff, and the finer Balmoral Glenurquhart check, a subtle glen pattern reserved for the family alone.

The colours of both are drawn directly from the 50,000-acre estate’s own heather, granite and bracken, a kind of pre-modern camouflage designed so that a stalking party could move across the hills without disturbing the grouse. Later royal commissions have extended the idea: Balmoral Blue, taking its tone from the River Dee, and Balmoral Red, created in tribute to Elizabeth II’s fondness for the colour at Christmas. It is tweed as an estate’s own coat of arms, woven rather than embroidered.

The hacking jacket: tailoring built for the saddle

Not every royal tweed is cut for a church service. The hacking jacket, tweed’s most purely functional form, was developed in the late nineteenth century for riders taking a “hack” (an informal ride, often on a hired horse) and its details are all in service of the saddle. Lapels meeting mid-chest, a single long back vent for ease of movement, slanted pockets angled for a seated rider, and a fitted, waist-nipping cut all combine to let a rider move freely without the jacket riding up or flapping loose.

Because a hacking jacket must flex and breathe with the wearer, it is traditionally made only in tweed, never the stiffer melton or cavalry twill reserved for formal riding kit. The style has long since left the stable yard for smart-casual wardrobes everywhere, but its equestrian logic is still visible in every seam, a useful reminder that on a royal estate, even the smartest tailoring usually began as workwear.

From church pew to shooting field: royal tweed style, layer by layer

Around any single tweed jacket sits a wider seasonal wardrobe, built up piece by piece for an autumn spent largely outdoors. Wax jackets from Barbour, worn by three generations of the family and the subject of three royal warrants at once, go over tweed and cashmere for the wetter days; sturdy wellingtons carry everyone across the mud a Highland estate guarantees. Our guide to Barbour’s history traces how that particular coat earned its place, and the royal weekend wardrobe sets out the fuller kit, from knitwear to boots.

Tartan plays its own, separate part here too, worn at Balmoral and the nearby Braemar Gathering as a mark of Scottish and clan identity, distinct from the camouflage logic of estate tweed. Together, tweed, tartan, wax cotton and rubber are less an outfit than a toolkit, each piece answering a different need thrown up by Highland weather. The full story of royal tartan is one for another day, but the two cloths are frequently, and easily, confused.

The finishing details

It is often the small pieces that carry the most history. Kate’s “Betty Boop” hat, a £245 brown pillbox with a side bow, first appeared in her wardrobe in 2012 and has now done at least eight public outings, a genuinely well-worn favourite rather than a one-season buy, and a small case study in the buy-well, keep-forever philosophy that runs through most of her country style. The new earrings reported alongside it, identified by royal-watcher accounts as Lauren Ralph Lauren’s Stone Chandelier style from an earlier, more accessible collection, added a note of unstudied ease to an otherwise heritage-heavy look, proof that a countryside outfit need not be expensive throughout to read as considered.

That mixing of investment tailoring with modest, well-chosen extras is arguably the real royal country lesson: tweed and hats built to last decades, jewellery that simply pleases, and nothing bought merely to be photographed.

Why royal tweed style never goes out of season

Tweed endures at Balmoral for the same reason it endures everywhere else the British countryside is taken seriously: it was built for a job, not a moment. Cloth designed to withstand a Highland autumn, in colours pulled straight from the hillside, does not date the way fashion does, because it was never chasing fashion in the first place. Each September, whoever supplies the blazer, that is the story a royal tweed jacket is quietly telling. Browse more of our Royal Style & Fashion stories for the wardrobes and traditions behind the rest of the royal year.

Frequently asked questions

What did the Princess of Wales wear to church at Balmoral in 2026?

Royal-watcher accounts including @dresslikeaduchess reported that on 23 August 2026 the Princess of Wales wore a herringbone tweed jacket over a pie-crust-collar blouse, widely attributed to Holland Cooper, with her Lock & Co “Betty Boop” pillbox hat and new Ralph Lauren earrings, for a Sunday service at Crathie Kirk near Balmoral. Kensington Palace does not officially confirm outfit details.

What is Holland Cooper?

Holland Cooper is a British luxury countryside clothing brand founded in 2008 by Jade Holland Cooper, known for hand-cut, made-in-Britain tweed tailoring using Scottish-mill wools. It first found its audience at country events such as the Badminton Horse Trials and has since become a favourite of country-set dressing, with reported royal associations.

What is Balmoral estate tweed?

Balmoral estate tweed is a bespoke cloth commissioned for the royal family’s Scottish estate, formalised by a 1955 royal warrant to clothmaker John G. Hardy. There are two versions: a plainer tweed for gamekeepers and estate staff, and the finer Balmoral Glenurquhart check reserved for the family, both coloured to blend with the estate’s heather and granite.

What is a hacking jacket?

A hacking jacket is a tweed jacket originally designed in the late nineteenth century for informal horse riding, or “hacking.” Its mid-chest lapels, long back vent, slanted pockets and fitted waist all allow freedom of movement in the saddle, and it is traditionally made only in tweed rather than stiffer riding cloths.

Is tweed the same as tartan?

No. Tweed is a woven wool cloth valued for its warmth and durability, often in muted checks designed to blend with the landscape, while tartan is a specific patterned cloth associated with Scottish clans and worn at events such as the Braemar Gathering. The royal family wears both at Balmoral, for different reasons.

Why do the royals wear tweed at Balmoral?

Tweed suits Balmoral’s climate and its outdoor pursuits, being warm, hard-wearing and, in the case of the estate’s own tweed, coloured to work as camouflage while stalking or shooting. It has also simply become tradition, worn by the family and its estate staff for generations each time they head north for the autumn.

What is Kate Middleton’s “Betty Boop” hat?

The “Betty Boop” is a brown pillbox hat with a side bow by the hatter Lock & Co, first worn by the Princess of Wales in 2012 and reported to have appeared in her wardrobe at least eight times since, including for the 2026 Crathie Kirk service. Its nickname comes from its rounded, pillbox shape.

Where do the royals buy their tweed?

Reporting links the family and their circle to several tweed sources, from bespoke estate cloth woven by Hardy Minnis for Balmoral itself to ready-to-wear country brands such as Holland Cooper. Details of who supplies any specific royal garment are rarely confirmed officially and are best treated as reported rather than certain.

Outfit details are reported by royal-watcher social media accounts and press coverage rather than confirmed by Kensington Palace, and are accurate to the best of our knowledge as of September 2026. Historical and brand details are sourced from the Church of Scotland, Holland Cooper, and reputable press coverage of Balmoral’s estate tweed.

#Princess of Wales #tweed #Balmoral #Holland Cooper #country style

Keep reading